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Shocking to no one, the storm of personalities between Manson and Kurt Cobain’s widow drove the grunge princess to ditch the production after only nine performances.
For its short life, the show was just the nightmare we, the pseudo-disenfranchised suburban youth (in studded dog collars purchased from a strip mall pet store), were dreaming of.
James and I had settled for an otherwise objectionable pub two blocks from the venue.
I eyeballed the small group waiting outside the theatre: a few chunky platform boots, a coat with far too many buckles to be practical, but at a glance, the crowd could have been there for Phantom of the Opera.
A sudden flood of light showed the girl in front of me. The blood hung wet in her blonde, braided buns, which were pinned up like horns on a teenaged cherub.
In 2004, he would find himself again offering up an antique diamond ring. We made scintillating small talk about real life, how tired/busy we are. The lobby, well lit for its usual clientele of bifocal-equipped opera-goers, was flooded with rowdy rock fans, slippery in leather and simmering in the fervour of the crowd.